Why Singers Shouldn’t Strain for High Notes, According to Physiology and Anatomy

You’re probably not being told everything you need to be the best singer you can be.

Singing is at once an intricate art and a complicated science. We often forget about the science part, because it’s not usually the most visible facet of singing– when we hear incredible singers, we are typically drawn to the depth of their emotional performance, not so much their ironclad technique and mastery of their bodily “instrument.”

Any vocal teacher worth their salt should spend time discussing both the science and the art. Proper understanding of human anatomy and physiology as it relates to the voice will be necessary to produce sound in a healthy, pleasing way. Strict scentific understanding alone nonetheless won’t make someone a great performer if they’re unable to harness and use artistic expression to their benefit. The science is in many ways rather instinctual to humans– we’re born able to produce sound and typically start singing even before we start speaking. As we age, we tend to become less free with our emotions and more reserved, and so the emotional work of singing can become the most pressing matter for many voice teachers. Many new voice students need a lot of help expressing themselves with some small technical pointers along the way. This generally yields passable enough results. Besides, most students aren’t seeking long term careers in singing, and don’t really have enough use for the complicated scientific teaching as would make the effort to teach and learn such principles worthwhile.

This unbalanced treatment, however, means that many beginner and even intermediate singers never fully understand the science behind their voices, and therefore get overly wrapped up in the emotional side of things. We put so much weight on emotion and see so much emotional power in great performers that without scientific understanding of the voice, we assume emotion will be enough to power us through nearly anything. “Pushing” or straining is associated with heightened emotion, and assumed to be the necessary “secret sauce” to make difficult voice work happen. This is not the case.

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If you Absolutely Must Drink That Pre-Show Energy Drink, Make Sure you do it in a Healthy Way

I get it. Your energy is running low, you’re craving that (artificially) sweet, sweet burst of caffeine to jolt you awake. You want to put on the best show you can, and need energy to do so. You  need to get your energy quick if you’re going to get it at all.

Enter the energy drink.

Much has already been said about the dangers of energy drinks, and it’s true that there are many other far healthier and far more efficient ways to bring about a feeling of wakefulness. For the purposes of passing complete information along to my readers, I’ll touch upon alternative options and health risks briefly, but that’s not the main purpose of my article.

This article goes out to the employee who woke up at 7:00 to work eight hours and then drive straight to the theatre for call. The average working/school-going/child-raising/all-of-the-above person who can’t stop for a nap or a quick cardio session, and needs to get some sugar and caffeine into their system right now goddamnit. This article is for you.

Here’s how to drink an energy drink before a show in the most health-conscious way possible.

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3 Small Things That Have a Huge Impact on Your Voice

We all know there’s no such thing as a vocal “cure all” that will instantly make you a great singer. Learning some vocal technique and theory can help you get better with practice, but these sorts of skills take time to master. Let’s say you wanted to help make yourself sound as good as possible as quickly as possible– what would you do?

Here’s three suggestions that are easy to tackle and yield clear results fast.

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The Ultimate Guide to Warming Up

I’m a bit of a warmup enthusiast. I take warming up vocally very seriously. I always feel like I get back 10 times the vocal energy I put in, and it’s so worth it. I’ve talked at some length before on this blog about how important warming up is and why everyone should do it, but I’ve never provided much actual insight into how to do it.

Part of the problem there is that warming up is a very personal process. I can’t tell you what will work best for you. In this article, I’m sharing what works best for me personally. My goal is to present many ideas that you can use and modify as you see fit.

This guide is divided into five sections: Why Warm Up, Pre-Vocalization, Beginning Phonation, Singing, and FAQs.

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15 Tips for Improving Your Singing Skills

While I’m no singing expert, I have spent the last several years working to improve. I’ve learned a ton. I’ve become a lot more confident in my ability and have a stronger, more supported sound to show for all the effort! There’s still have a lot of work to do, but I also have a lot of knowledge to share from my years of struggle.

Here are 15 assorted tips for improving your singing voice!

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Maybe You’re Just not a Belter: A Letter to a Young Actor with Vocal Strain

Dear Young Actor,

I get it.

You’ve listened to Barrett Wilbert Weed and Krysta Rodriguez and Sutton Foster and now you just want to sound just like them. We’ve all been there.

Contemporary Broadway is full of belters belting their faces off. It’s flashy and impressive and now basically everywhere you look.

Here’s the thing about belting.

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