Where to Grow Next: Self-Evaluation and Targeted Practice Recommendations for Performers

Do you feel like you are falling behind compared to some of your performing peers? Do you feel that you have plenty learn, but aren’t sure where to focus your energies next? It might make you feel better to know that lots of other actors and artists feel exactly the same, but that knowledge alone won’t help you become a better performer.

When you feel like you’re cornered in terms of growth and improvement, one of the best things you can do is stop and take stock of where you currently are. Self-evaluation is something most performers do on the daily already. What if we harness that often-negative energy and use it to help you grow in a positive way?

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3 Small Things That Have a Huge Impact on Your Voice

We all know there’s no such thing as a vocal “cure all” that will instantly make you a great singer. Learning some vocal technique and theory can help you get better with practice, but these sorts of skills take time to master. Let’s say you wanted to help make yourself sound as good as possible as quickly as possible– what would you do?

Here’s three suggestions that are easy to tackle and yield clear results fast.

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The Ultimate Guide to Warming Up

I’m a bit of a warmup enthusiast. I take warming up vocally very seriously. I always feel like I get back 10 times the vocal energy I put in, and it’s so worth it. I’ve talked at some length before on this blog about how important warming up is and why everyone should do it, but I’ve never provided much actual insight into how to do it.

Part of the problem there is that warming up is a very personal process. I can’t tell you what will work best for you. In this article, I’m sharing what works best for me personally. My goal is to present many ideas that you can use and modify as you see fit.

This guide is divided into five sections: Why Warm Up, Pre-Vocalization, Beginning Phonation, Singing, and FAQs.

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My Favorite Strategy for Learning a Role: Engage Your Senses

 

About a year ago I listened to to an episode of the Kwik Brain podcast all about hacking your brain in order to learn lines more efficiently. I’d recommend anyone looking for some new strategies check out the episode and the second part, too. However, of all of the concepts presented in the two episodes, only one strategy has really stuck with me and become a crucial part of my preparation for a show. I’ve now used this strategy to learn several roles, and am always eager to share with others, because it has been a game changer.

This strategy is to engage all of your senses.

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A Director’s Guide to Making Your School Theatre Casting Process a Learning Opportunity for Everyone

If you’ve ever performed in school theatre, you know what a horrible, exciting event the posting of the cast list can be. When the roles are assigned for the annual fall play or musical, tensions tend to run high, and students sometimes turn their backs on teachers. Feelings can be hurt, and the casting process can often seem like a personal rejection. Finding ways to keep this process productive and educational for everybody can make your program stronger and help increase retainment between shows!

Truly, every student can learn from every experience they have in the theater. This can be a hard lesson for young people to grasp. Directors can help by making small adjustments to their auditions and communication with students.

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Get the Most out of Your Rehearsals by Journaling Them

About a year ago I was assigned a project for class that involved learning about anything and tracking your learning in a multimedia format. Since I was at the time involved in three different productions occurring simultaneously, I decided to make a blog about my efforts in learning to be a director. Though this project itself was very low-stress and even enjoyable, I got a perfect score and a glowing review from my professor, as well as a brilliant learning experience I didn’t expect.

Apparently required journaling of rehearsals is pretty common in school theatre programs nowadays– I never had to do this, and so I was able to approach the task with a fresh mind. Even if an assignment like this has previously tainted your experience with journaling rehearsals, consider revisiting it– it can be very beneficial for your learning, both in regard to that show and to your overall development as an actor and artist.

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6 Non-Theatre Subjects Every Theatre Person can Benefit From Learning More About

A single performance in theatre requires many diverse skillsets from many diverse people. There’s simply so much young actors and artists have to learn about the craft itself just to get through auditions that spending time on learning things that aren’t immediately connected to performing skills can seem like a waste. However, it’s precisely because shows require such diversity that learning everything you can about nearly every subject you can will always be of an actor’s benefit. If you’re ready to take your theatrical training beyond the basics, try moving away from acting, singing, and dancing for a bit and looking to these adjacent areas of knowledge instead!

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15 Tips for Improving Your Singing Skills

While I’m no singing expert, I have spent the last several years working to improve. I’ve learned a ton. I’ve become a lot more confident in my ability and have a stronger, more supported sound to show for all the effort! There’s still have a lot of work to do, but I also have a lot of knowledge to share from my years of struggle.

Here are 15 assorted tips for improving your singing voice!

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A Director’s Guide to Making your Set Builds and Strikes more User-Friendly

Getting your cast and crew to stay focussed and productive during set build and especially strike is always a challenge. Although it can seem like inaction on the part of your actors is purely a matter of laziness or disrespect, many actors simply don’t know how to help or be useful. If you want to keep everyone active, some small steps on the part of the director can help.

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The Ultimate Guide to Surviving Tech Week

I have a sickness of the mind, and it is that I kind of get a kick out of tech week. The idea of 12 hour rehearsals gets me sort of jazzed sometimes. The head-down, one-foot-in-front-of-the-other grind of tech week is very fulfilling to me. It’s a week to throw the entirety of my energy squarely at two targets: put on a good show and don’t kill yourself. It’s like a week of wilderness survival but for a theatre kid. It’s exhilarating and when it’s done you get to show off all your cool scars (some figurative, most literal).

I’m a dweeb about tech week preparation, it’s true. If tech week is wilderness survival, I am your overenthusiastic survival guide. I will get through it and I will get you through it, too. Just heed my advice.

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