Escape rooms are a lot of fun, but can be intimidating for new players. The first game is always one of the hardest simply because beginners need to pick up on so much so fast to do well. As a gamemaster, I frequently get asked how players can make the most of their first games and escape successfully. Whether you’ve played multiple rooms or are seeking advice before playing your very first, here are some basic escape room “do”s and “don’t”s that every player will find helpful.
We all know there’s no such thing as a vocal “cure all” that will instantly make you a great singer. Learning some vocal technique and theory can help you get better with practice, but these sorts of skills take time to master. Let’s say you wanted to help make yourself sound as good as possible as quickly as possible– what would you do?
Here’s three suggestions that are easy to tackle and yield clear results fast.
I’m a bit of a warmup enthusiast. I take warming up vocally very seriously. I always feel like I get back 10 times the vocal energy I put in, and it’s so worth it. I’ve talked at some length before on this blog about how important warming up is and why everyone should do it, but I’ve never provided much actual insight into how to do it.
Part of the problem there is that warming up is a very personal process. I can’t tell you what will work best for you. In this article, I’m sharing what works best for me personally. My goal is to present many ideas that you can use and modify as you see fit.
This guide is divided into five sections: Why Warm Up, Pre-Vocalization, Beginning Phonation, Singing, and FAQs.
About a year ago I listened to to an episode of the Kwik Brain podcast all about hacking your brain in order to learn lines more efficiently. I’d recommend anyone looking for some new strategies check out the episode and the second part, too. However, of all of the concepts presented in the two episodes, only one strategy has really stuck with me and become a crucial part of my preparation for a show. I’ve now used this strategy to learn several roles, and am always eager to share with others, because it has been a game changer.
This strategy is to engage all of your senses.
If you’ve ever performed in school theatre, you know what a horrible, exciting event the posting of the cast list can be. When the roles are assigned for the annual fall play or musical, tensions tend to run high, and students sometimes turn their backs on teachers. Feelings can be hurt, and the casting process can often seem like a personal rejection. Finding ways to keep this process productive and educational for everybody can make your program stronger and help increase retainment between shows!
Truly, every student can learn from every experience they have in the theater. This can be a hard lesson for young people to grasp. Directors can help by making small adjustments to their auditions and communication with students.
About a year ago I was assigned a project for class that involved learning about anything and tracking your learning in a multimedia format. Since I was at the time involved in three different productions occurring simultaneously, I decided to make a blog about my efforts in learning to be a director. Though this project itself was very low-stress and even enjoyable, I got a perfect score and a glowing review from my professor, as well as a brilliant learning experience I didn’t expect.
Apparently required journaling of rehearsals is pretty common in school theatre programs nowadays– I never had to do this, and so I was able to approach the task with a fresh mind. Even if an assignment like this has previously tainted your experience with journaling rehearsals, consider revisiting it– it can be very beneficial for your learning, both in regard to that show and to your overall development as an actor and artist.
While I’m no singing expert, I have spent the last several years working to improve. I’ve learned a ton. I’ve become a lot more confident in my ability and have a stronger, more supported sound to show for all the effort! There’s still have a lot of work to do, but I also have a lot of knowledge to share from my years of struggle.
Here are 15 assorted tips for improving your singing voice!
I have a sickness of the mind, and it is that I kind of get a kick out of tech week. The idea of 12 hour rehearsals gets me sort of jazzed sometimes. The head-down, one-foot-in-front-of-the-other grind of tech week is very fulfilling to me. It’s a week to throw the entirety of my energy squarely at two targets: put on a good show and don’t kill yourself. It’s like a week of wilderness survival but for a theatre kid. It’s exhilarating and when it’s done you get to show off all your cool scars (some figurative, most literal).
I’m a dweeb about tech week preparation, it’s true. If tech week is wilderness survival, I am your overenthusiastic survival guide. I will get through it and I will get you through it, too. Just heed my advice.
A college education in theatre is an incredible opportunity. However, for many reasons, it’s not always attainable. With the current cost of college, any degree should be closely examined for its post-graduation worth. Though a theatre degree is as worthwhile as any other degree, the capital required to earn the degree is a huge barrier for many, with often uncertain returns.
Whether you cannot afford a degree, or are in the process of preparing for a degree, it is necessary that those seeking education take initiative. In today’s society, the ability to learn on your own is paramount. There are many resources available waiting to be taken advantage of by those committed to their own growth!
Here are 10 suggestions for taking your education on theatre into your own hands.
Post-show strikes are made easier when more people lend their hands to the cause. Many actors avoid them as much as possible, however, because they simply don’t know how to help. While technical skills are of benefit to every performer, and I heartily recommend every actor get the gist of as many backstage skills as possible, many times the issue is simply “what can I do besides stand around the whole time?”
Here is a set of suggestions for everyone, no matter their strength, skill, or abilities, regarding making themselves useful at strike. The list starts with the least technically-inclined options, with the “hardest” options at the end.