Guides and Tips, Theatre

The 5 Most Important Learning Objectives From Every Theatre Degree Program— And how to Achieve Them Independently

A college degree simply isn’t the best choice for everyone.

I’m not in the business of discouraging anyone to go to school for theatre. I always stand in support of theatre majors. However, in education, the phrase “one size fits all” is a harmful myth. For many, a college education just doesn’t make sense. Besides the obvious (and woefully often overlooked) point that the traditional higher education setting isn’t the best learning environment for everyone, college is expensive, and theatre majors are too often reminded of the fact that all the money spent for tuition still can’t guarantee future employment.

Many agree that the degree itself  is not the most important outcome of a college education in theatre. Rather, what you receive in return for all that tuition is valuable training and professional connections. As the official degree is the only thing a traditional college path can boast over independent study and on-the-job experience, some are more suited to seek training outside of a college setting, preferably at a much lower price point.

So what exactly should one get from their theatre degree program? And how could they go about getting those without pursuing the degree at all?

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Guides and Tips, Teaching Theatre

A Director’s Guide to Making your Set Builds and Strikes more User-Friendly

Getting your cast and crew to stay focussed and productive during set build and especially strike is always a challenge. Although it can seem like inaction on the part of your actors is purely a matter of laziness or disrespect, many actors simply don’t know how to help or be useful. If you want to keep everyone active, some small steps on the part of the director can help.

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Guides and Tips

How to be Useful at your Required Strike when you have no Technical Abilities

Post-show strikes are made easier when more people lend their hands to the cause. Many actors avoid them as much as possible, however, because they simply don’t know how to help. While technical skills are of benefit to every performer, and I heartily recommend every actor get the gist of as many backstage skills as possible, many times the issue is simply “what can I do besides stand around the whole time?”

Here is a set of suggestions for everyone, no matter their strength, skill, or abilities, regarding making themselves useful at strike. The list starts with the least technically-inclined options, with the “hardest” options at the end.

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