Actor Life, Theatre

5 Reasons why Every High School Theatre kid Should Join Their School Choir

What if I told you every high school theatre kid likely has access to an excellent training ground where they can grow their performing abilities, learn important music skills, and get valuable practice with performing, all for free?

School choir is a stellar opportunity for growth that all high school theatre kids should take advantage of! Here are five ways joining school choir will make you a better, more accomplished performer.

1. You learn to read music better

Being able to read music is an extremely valuable skill for musical theatre actors. Reading music helps you learn it faster and understand it better. This means easier music rehearsals and easier audition prep!

Whether you have no experience reading music or are a sight-reading expert, practice will always be necessary to keep your skills sharp, and the more practice the better! You’ll have plenty of friends and a choir director to assist you if you get confused. Since you most likely won’t have to learn any blocking or choreography (unless you’re in a show choir), choir is an opportunity to focus on the music. You’ll be able to digest complicated pieces without having to worry about anything else.

I know a lot of performers who wish they could read music better. It’s a useful skill, and school is the perfect place to learn it!

2. You learn more about your voice… For free

Voice lessons can be expensive and therefore aren’t accessible to everyone. School choirs, on the other hand, are usually free, unless they require concert attire purchases or entrance fees for music and other materials. If there is a price for participating in school choir, the value in return for those dollars is likely pretty high– whereas voice lessons will typically be $20-$30 per lesson minimum, a daily choir class for 180 days of school that requires a one-time concert outfit purchase would probably amount to less than a dollar per session.

Of course, the one-on-one training in voice lessons is indispensable, but working with a good choir director and learning all you can about singing and your voice within that setting is a fantastic alternative. If you have specific questions or want specific help, your choir teacher should be able to help you out.

Choir settings are specifically useful to beginner singers because choir singing can explore a variety of styles and musical concepts while emphasizing principles of vocal technique. Choir is the first place many young performers learn about breath support, posture, and the vocal process, and is therefore a great place to begin training. More advanced choirs and more difficult repertoire can provide advanced singers with adequate challenge to improve as well.

3. You get more practice singing and performing

All practice is good practice! It’s generally true that if you want to become a better singer or performer, then any extra singing or performing you do is probably beneficial in that regard.

Live performance opportunities are extremely worthwhile for performers. The more you perform in front of an audience, the better you learn to deal with stage fright and focus. Practicing singing in a group is also incredibly valuable, as it requires some different skills than singing alone does– group singing is all about listening and balancing with the individual performers around you.

One of the benefits to choir participation I found when I was in school was that each choir rehearsal was essentially a mandatory daily warmup. My voice was in great shape when I was in choir– I never had a real chance to get “rusty!”

4. You train your ear with complicated harmonies

Learning to sing with others is a challenging skill. Learning different voice parts can be really difficult, and some musical theatre composers are notoriously challenging in this regard.

Choir music is written in often intricate patterns of rhythm and harmony. If you can hold your own singing in a choir, you’ll build skills that will allow you to hold your own while performing shows by tricky composers like Sondheim. And again, since choir is about the music first rather than blocking or choreography, you have the opportunity to really focus on building the skills you need to tackle any complex voicing in a musical.

5. You might not get this chance again

There really aren’t that many opportunities to sing in a choir once you get out of school.

Church choirs can be found in almost any town, so this is an accessible option if you attend church. Many cities have various choral societies, but these are often by audition, and your participation isn’t guaranteed. Almost every school has a choir, and school choirs are some of the most accessible choirs you’ll ever come across.

I don’t particularly miss much about high school, but getting to sing with a choir is definitely something I wish I could revisit as an adult.

Take advantage of this opportunity while you have it!

Guides and Tips, Theatre

Why Singers Shouldn’t Strain for High Notes, According to Physiology and Anatomy

You’re probably not being told everything you need to be the best singer you can be.

Singing is at once an intricate art and a complicated science. We often forget about the science part, because it’s not usually the most visible facet of singing– when we hear incredible singers, we are typically drawn to the depth of their emotional performance, not so much their ironclad technique and mastery of their bodily “instrument.”

Any vocal teacher worth their salt should spend time discussing both the science and the art. Proper understanding of human anatomy and physiology as it relates to the voice will be necessary to produce sound in a healthy, pleasing way. Strict scentific understanding alone nonetheless won’t make someone a great performer if they’re unable to harness and use artistic expression to their benefit. The science is in many ways rather instinctual to humans– we’re born able to produce sound and typically start singing even before we start speaking. As we age, we tend to become less free with our emotions and more reserved, and so the emotional work of singing can become the most pressing matter for many voice teachers. Many new voice students need a lot of help expressing themselves with some small technical pointers along the way. This generally yields passable enough results. Besides, most students aren’t seeking long term careers in singing, and don’t really have enough use for the complicated scientific teaching as would make the effort to teach and learn such principles worthwhile.

This unbalanced treatment, however, means that many beginner and even intermediate singers never fully understand the science behind their voices, and therefore get overly wrapped up in the emotional side of things. We put so much weight on emotion and see so much emotional power in great performers that without scientific understanding of the voice, we assume emotion will be enough to power us through nearly anything. “Pushing” or straining is associated with heightened emotion, and assumed to be the necessary “secret sauce” to make difficult voice work happen. This is not the case.

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Guides and Tips, Theatre

3 Small Things That Have a Huge Impact on Your Voice

We all know there’s no such thing as a vocal “cure all” that will instantly make you a great singer. Learning some vocal technique and theory can help you get better with practice, but these sorts of skills take time to master. Let’s say you wanted to help make yourself sound as good as possible as quickly as possible– what would you do?

Here’s three suggestions that are easy to tackle and yield clear results fast.

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Guides and Tips, Theatre

The Ultimate Guide to Warming Up

I’m a bit of a warmup enthusiast. I take warming up vocally very seriously. I always feel like I get back 10 times the vocal energy I put in, and it’s so worth it. I’ve talked at some length before on this blog about how important warming up is and why everyone should do it, but I’ve never provided much actual insight into how to do it.

Part of the problem there is that warming up is a very personal process. I can’t tell you what will work best for you. In this article, I’m sharing what works best for me personally. My goal is to present many ideas that you can use and modify as you see fit.

This guide is divided into five sections: Why Warm Up, Pre-Vocalization, Beginning Phonation, Singing, and FAQs.

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Teaching Theatre

15 Reasons why Theatre is the Extracurricular Activity of Parents’ Dreams

Extracurricular activities are the bread and butter of young people’s routines. The right extracurriculars can improve grades and overall classroom performance, boost college admissions rates, and teach students valuable and necessary life skills. Time in the day is limited, so choosing the right extracurricular activities is crucial for using yours effectively!

If you or your child are looking for activities to meaningfully fill free time (and have a lot of fun doing it), look no further than the performing arts! Theatre especially is a fantastically diverse program that encourages the growth of many skills and comes pre-packaged with a ton of benefits. Not convinced? Here’s fifteen research-backed reasons theatre is the extracurricular activity of your dreams.


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Guides and Tips

15 Tips for Improving Your Singing Skills

While I’m no singing expert, I have spent the last several years working to improve. I’ve learned a ton. I’ve become a lot more confident in my ability and have a stronger, more supported sound to show for all the effort! There’s still have a lot of work to do, but I also have a lot of knowledge to share from my years of struggle.

Here are 15 assorted tips for improving your singing voice!

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Actor Life

Maybe You’re Just not a Belter: A Letter to a Young Actor with Vocal Strain

Dear Young Actor,

I get it.

You’ve listened to Barrett Wilbert Weed and Krysta Rodriguez and Sutton Foster and now you just want to sound just like them. We’ve all been there.

Contemporary Broadway is full of belters belting their faces off. It’s flashy and impressive and now basically everywhere you look.

Here’s the thing about belting.

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