Teaching Theatre, Theatre

In Defense of Cutting Kids from the School Musical

It’s not a popular position to take, but the fact remains: most school drama departments should not cast every single student who auditions.

It’s not fun to cut people from a show– no one wants to do do it. But I would argue this “necessary evil,” while necessary, isn’t evil in the least. Far from it, this is actually a position borne out of compassion for everyone involved. You might think it callous or heartless, but at the end of the day, cutting some people is beneficial for a number of reasons.

The most obvious benefit is practical, and in this case, the practical is also the compassionate.

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Actor Life, Theatre

What to Expect When Your Kid Decides to Try Theatre

When a kid makes the decision to try theatre for the first time, it can be a surprising experience for both the child and the parent! Having some ideas of what to expect can be helpful. Whether you have any theatrical experience or not, here are some tips to help you understand what you might see over the next few months:

It’s a commitment! (But a beneficial one)

When your child is cast and you see the rehearsal schedule for the first time, you may be taken aback. Being in a show is a big commitment, and as a parent, it often means a commitment on your part, too. Rehearsal schedules can be quite demanding– even as an adult actor with lots of experience, I am sometimes surprised by just how big of a commitment a show can be.

Remember, though, that the commitment is the point. Mounting a show is a huge endeavor, and rehearsal is required to make that happen! Consider your volunteer time an investment in the program. You’re not just supporting your own child, but also everyone’s kids by donating time and energy to the program, even if the least you do is make sure your kid gets there on time.

Theatre is a really wonderful growth opportunity for kids, but that growth is very dependent on parents being able to physically get their kids there! It can be annoying, but that doesn’t mean it’s not worth it.

Some pro tips for dealing with the time (and gas!) commitment:

  • A carpool setup can absolutely save your life. If your kid has any existing friends in the cast, see if you (or your kid!) can set one up with one of these friends. Fingers crossed, your child will also make new friends who can one day be part of this carpool.
  • Pay close attention to the rehearsal schedule you receive. It’s possible that your kid is not called to every rehearsal, meaning they’re not needed every single night. Many rehearsal schedules will include a “call list” listing either the actor or character names of all required to come to rehearsal. How often your child is called is heavily dependent on the role your child has and the nature of the show they’re in, and dependent on the director’s plan. Not every director organizes their rehearsal schedules this way, either. It’s important to pay attention to all communications from the director to make sure you’re understanding who is needed each day and who isn’t.
  • Ultimately, though, remember that your child’s attendance all rehearsals they are called for is critically important to their success. It is frustrating to have to drive to the theater every day, I know– even as an adult actor driving myself to my own rehearsals, I often quibble about this– but it’s worth it. Your child will get more out of the process, make stronger connections, and stand out in a good way with the director if they are always present and prepared for rehearsal.
  • If there is a night where it is simply not possible to get your kid to rehearsal– something has come up, or your transportation has fallen through– be sure to reach out to either the director or stage manager (the information given to parents at the start of the show should explain who to contact and how to reach them) as soon as possible so the director knows your child will be absent. Think of it like calling off of work– a no-call, no-show is never appreciated.
  • If you’re struggling to find time during production week (the week of the show, where rehearsals tend to run late each night), consider reading my Ultimate Guide to Surviving Tech Week.

They will grow in many ways

It’s impossible to overstate how many opportunities for growth theatre supplies. Since every child is different, every child will take different things from their theatrical experiences. Sure, they’ll learn the show itself, but they’ll also develop a number of hard and soft skills.

Naturally, kids may develop better social skills, and gain a new appreciation for collaboration and teamwork. Theatre is also a fun, low-stakes outlet for improving reading and public speaking skills. By exploring technical theatre or theatrical design opportunities, kids can discover and cultivate diverse interests and skillsets through art, technology, and mathematics. They’ll become better connected with their peers and community at large, and will likely make some new friends! Hopefully, they will also become more independent and disciplined. 

Some tips for supporting that growth:

  • Take an interest in what they’re learning and doing! Properly encoding and understanding the material learned in rehearsal requires some “homework.” Asking your kid about what they did in rehearsal can be a good way to prompt some at-home practice.
  • Exactly what your child needs will depend on the child. For me, theatre helped me learn to be more independently disciplined and assess my own understanding of materials I’m studying. Some kids might learn best when allowed to explore on their own, and some might learn best when scaffolded more directly. Staying in tune with how rehearsals are going can help you gauge how you can best support your kid in the process.
  • Remember, the more committed they are to the process, the more they will learn and grow. It’s important to make sure your child can make it to rehearsals so they can learn what they need to learn!

They’ll Make new Friends… And you Might, Too

Your child will be spending rehearsal time bonding with their cast mates. These bonds can be super strong, and can form very quickly! Don’t worry that your kid won’t make friends in the show: it’s almost inevitable that they will, at some point of the process or another. The actors just spend too much time together to not form some kind of connections.

Meanwhile, you may find that in the time spent picking them up and dropping them off, participating as needed in parent meetings or volunteer sessions, or attending shows and recitals, you may just develop some new friends of your own! Many school theatre departments request volunteer assistance from parents, and  community theaters are always in need of extra assistance. If you’re looking for a new social hobby that allows you to practice some new skills, your child’s theatre participation may help you out!

  • Theatre friendships can be really great for young actors! Making friends with other actors encourages kids to continually assess and better their skills. Just make sure that the friendly competition that arises between theatre peers remains friendly– don’t let your kid talk badly about their own skills, or about other actors!
  • Keep an eye out for any calls for parent volunteers. This is a valuable opportunity to support the program directly. Just remember that volunteering your time doesn’t guarantee anything in return… some parents think volunteer hours can be bartered for better roles for their children, which is definitely not the case.
  • There are a variety of ways to volunteer, and volunteers are needed at all different stages of the rehearsal process. Regardless of your skillset, there’s almost always something for you! Even if you don’t have free time to contribute, some donations are almost always welcomed, whether monetary or physical goods.

It might be frustrating at times… for both of you

Theatre, especially for young actors, is definitely not always sunshine and happiness. There will inevitably be complications throughout the process. Your child might start to feel burnt out through the process, and you might start getting sick of driving them to rehearsal every night! Remember that the process offers a lot of great opportunities, and keep your eyes on those when you both start to feel the pressure.

  • It’s important for both young actors and their parents to keep their emotions in check when feeling burnt out. If you’re tired from all the rehearsal time, the show staff are certainly tired, too! Being temperamental with them may ultimately hurt your chances of participating in future shows.
  • Remember that any learning process is going to be frustrating at times. In fact, some frustration is a sign that your child is learning and growing. Allowing space for a little productive struggle is key to developing resilience and a positive work ethic!

They Might Face Some Heartbreak

As in any activity, theatre provides the invaluable opportunity for children to lose with grace. The nature of performance is such that not every child can get the role they want every time. Your kid might be a dancing fork when they really wanted to play Belle, or they might be cut from a performance altogether. Remember that this is an opportunity for growth and learning in itself, and that learning how to get back on the horse is as important as learning not to fall off it.

They Will Exceed Your Expectations

When a kid makes a decision to participate in theatre, it can be an opportunity for both the kid and the parent to grow and learn new things. Ultimately, if you invest in your kid’s interest by ensuring they’re at rehearsals when they need to be, practicing at home as needed, and talking to them to support them through their frustrations, you’ll find that your child will grow more than you expected!

Support your kids, and you may just find the very expectations set by this article smashed.

Actor Life

Your First Audition Ever Might be Scary. But it Will be Worth It

So you’re thinking about auditioning for theatre for the first time ever.

I won’t sugarcoat it for you. Auditions are scary.

I am a seasoned performer. I have a lot of shows under my belt. Despite participating in theater for over 15 years now, I am still nervous about auditions. The process is still a great source of stress and fear for me.

So, bad news: Maybe that doesn’t completely go away. There’s a silver lining here, though, too: You don’t have to worry too much about it being scary. The good news is that we’re all scared.

It’s the truth! It’s everyone in the room. Even the people who look super confident. Especially the people who look super confident. I’ve heard it myself: I’ll be at an audition mentally ripping my hair out, and someone will walk up to tell me that I look so calm and collected… I am not!

When I say everyone, I mean everyone. Truth be told, even the show staff are nervous. They want to cast their show well. They have a lot of people to see and a lot of decisions to make. It’s scary for them, and in very similar ways that it’s scary for you. They’re also worried about embarrassing themselves or saying something stupid. They want to make a good impression just as much as you do!

So if we’re all scared, then why are we there?

It’s important to remember that question. Why are you auditioning? Really think about it.

At the end of the day, you don’t have to audition. You have free will! You’re welcome to skip the whole process. And when you’re waiting before your audition, sitting in the lobby and sweating it out, it might reassure you a little to remind yourself that you could get right up and walk out that door, if you wanted to.

But you don’t want to. You want to audition, because… you want to try something new. You want to have fun with your friends. You want to make new friends. You love the show and want to be a part of it. You want to sing or dance or act. Whatever your reason is, remember it– it’s important!

When you find that reason, auditions can even be fun.

Yes, it’ll still be nerve-wracking– but it can be fun, too! It’s just another chance to sing or dance or act. It’s another chance to hang out with your friends, or make new ones. And you might just get to be in this show and enjoy this new experience, too!

And if nothing else, remember, once you get this audition out of the way… it’ll never be your first audition again. They’re all a little less scary after that. They’re still scary… but less.

So don’t stress too much. You’re allowed to be nervous. Everyone else is, too. You’re also allowed to have fun.

And no matter what the outcome, it will be worth it.

Theatre

Story Time: One of my Favorite High School Theatre Memories

I wanted to try something a little lighter and sillier for a change– I thought it might be fun to start sharing some stories from past performances. I certainly have a wealth of them.

One of my favorites from high school is from my sophomore year. I was playing a character who wore a big, oversized robe, with long sleeves that dragged almost to the floor. The robe was heavy and made of thick, bulky fabric.

Read more: Story Time: One of my Favorite High School Theatre Memories

The Thursday before our Friday opening night at our school was always our “preview night,” a a night with limited attendance, reserved for school faculty, production volunteers, and the actors and staff of our district’s middle school drama department. It was always an exciting night– the promise of getting to show off in front of our favorite teachers and next year’s freshmen was especially thrilling to our teenage sensibilities.

And this preview night was going great! I was feeling confident and in my element. The whole cast was having a blast.

In one scene, an actor came on stage holding a hat she had worn in the first scene. (The hat also had some fake hair extensions hidden in it– the character was supposed to “cut her hair” between scenes.) During the course of the scene, I would pass this actor a silver platter, and she would take both the hat and the platter offstage with her. This would leave my hands free to perform my big solo to close the scene.

On this night, I hand the actor the platter. After doing this, I’m blocked to turn to another actor, who was standing on my other side. I do so, and I feel an odd tugging on my sleeve. I pull my arm away, and I notice the actor I’m now talking to has a funny look on her face. But I am an *actor*, and I am in the zone, and I do not break character! My character admonishes both of the others, and they exit.

Then it’s time for my solo. It’s fabulous! The audience is hanging on my every word! The energy is magnificent. They’re laughing at all the right moments, and when I finish the song, I get wild laughter and applause. I turn to walk off the stage, and there is a cluster of faces visible in the wing, staring at me.

Funny.

I get backstage, and before I can ask what’s going on, the actor who had given me the funny look earlier grabbed my sleeve and lifted it up.

Attached to the bottom, swinging from pins covered in fake hair extensions, is the first actor’s hat, complete with locks of fake hair. When I had passed her the silver platter, the hat had become attached to my sleeve. She’d tried to grab it back, but didn’t want to ruin the flow of the scene (we were in high school, after all, and running on a heady combination of adrenaline, stage fright, and sugar), so she left it. The other actor, too, hadn’t known exactly how to approach the elephant in the room, and so they both left… and left me to sing my entire solo, wildly swinging around the hairy hat attached to my costume.

Well, the audience loved it. And the middle school show’s staff told me they used it as a teaching moment to illustrate the importance of staying in character even when you have a prop or costume mishap. Which… yes, I absolutely knew the hat was there the whole time, and uh… it was absolutely intentional on my part that I didn’t remove it, and it’s definitely a testament to my superior focus as an actor. Yes… for sure, go with that!

Teaching Theatre, Theatre

Many Classrooms are Becoming More Student-Centered: Why Does School Theatre Lag Behind?

Most school drama departments are not democracies. Instead, they tend to resemble dictatorships.

This used to be the way every school organization functioned: the students unwaveringly followed the command of the teacher, the all-knowing, all-powerful leader of the classroom. Nowadays, classrooms are moving away from functioning this way, as this is not the practice most modern education theory supports. The role of the teacher becomes less hierarchically superior, with many educators considering themselves “guides” or “facilitators” rather than singular leaders. In their place, students step up to direct their own learning, and learn about leadership and self-actualization by fulfilling a more active role than “the one who receives the knowledge the teacher imparts.” The process is better for educating critical thinkers and problem-solvers. 

School theatre is lagging behind in this endeavor.

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Theatre, Theatre 101 Series

Theatre 101 Series: Your Starter Guide to Building a Character

The Theatre 101 Series is a set of introductory articles meant to explain theatrical concepts and situations to young actors as well as adult theatrical newcomers. View the whole series here.

As you begin your rehearsal process, you’ll likely hear a lot about the importance of building a character. What exactly does this mean, and how should you go about it?

As always in theatre, this is a highly personal process, and I won’t pretend to have all of the answers. Nonetheless, hopefully this article gives you a solid starting point.

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Theatre, Theatre 101 Series

Theatre 101: Your Starter Guide to Memorization for Theatre

The Theatre 101 Series is a set of introductory articles meant to explain theatrical concepts and situations to young actors as well as adult theatrical newcomers. View the whole series here.

Many new actors find memorization the most daunting part of the rehearsal process. Lines, choreography, blocking, lyrics, and set and costume changes must be memorized, which proves challenging even for veteran actors. How do veteran actors conquer memorization to be prepared come showtime?

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Theatre, Theatre 101 Series

Theatre 101 Series: So you Want to try Theatre? 10 Things you Should Know

The Theatre 101 Series is a set of introductory articles meant to explain theatrical concepts and situations to young actors as well as adult theatrical newcomers. View the whole series here.

Getting started in theatre takes a lot of courage.

If you’ve never performed before, you inevitably have a lot of questions about theatre. What does it take to get started? What should I know? What will I learn? The questions can become so daunting that they often prevent would-be performers from ever stepping on stage at all.

In order to help more newcomers make the transition from potential actor to first-time actor, I’m going to explain ten things everyone should know about the art of theatre.

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