Actor Life, Theatre

Story Time: Let That Caffeine Kick In

A couple years ago, I had the opportunity to play Miss Honey in a community theater production of Matilda. The show was a blast, and I have a lot of great memories from the production, some of which I have previously shared on this blog. There is a cautionary tale from the experience that I like to share when I hear someone talk about their caffeine dependence during tech week.

I was never someone who drank a lot of caffeine growing up. I had never liked the taste of coffee or tea.  We didn’t drink much soda in my house. My mother had always hated energy drinks, so they were always a sort of forbidden fruit to me.

Early in my college career, though, I discovered the joys of popping the tab on a can of Monster and slamming out an essay due at 10 AM the next morning in he small hours between midnight and 4 AM. Energy drinks were a way for me to get more done, even when I was exhausted… especially when I was exhausted.

The side effect of having never drank much caffeine, however, was that I hadn’t quite figured out where my tolerance for it sat. I seemed invincible. I was 21 and dumb, and the acid and sugar didn’t give me reflux yet, so the world was my oyster.

I had especially taken to consuming energy drinks during tech weeks and before performances. It felt like a good way to get my energy up for a show after working a long shift or staying up late completing homework. It became such a habit that, for a long time, I mentally related the taste of the Pipeline Punch flavor of Monster with the experience of putting my make up on in the dressing room of my local community theater. Tasting my traditional pre-show flavor of Monster had me feeling like the critic in that scene from Ratatouille.

So, enter Matilda. This high-energy show had a huge cast, most of them children. I made the truly bad decision of accepting daytime shifts before every one of our shows: a shift before the Thursday show, a shift before the Friday show, and a shift before the Saturday show… having gone out with the cast after each of those shows, too. Suffice to say, I was tired.

No matter. On the way in to the Saturday show, I picked up my usual can of monster from a gas station, and I also picked up a second can in preparation for the Sunday show. I started drinking my monster on the rest of the drive to the theater. 

But I was just so tired that day. Really tired. After finishing the can, I realized it had not energized me as much as I had hoped. I still felt miserably drawn.

I kept thinking the feeling would get better as I spent time chatting in the green room and warming up my body and my voice. But the closer we got to showtime, the clearer it was that I might just have to perform the show exhausted. I didn’t want to do this though– it was the second to last show, and I had a lot of family coming that night!

The line of logic was sound, and the conclusion inevitable: I popped the top on my second can of Monster. I could hear my mother’s voice screaming in my head. She always hated that stuff, but I had never experienced any adverse effects from it. And, well, I was 21 and invincible and dumb.

I finished the second can before the top of the show, and I was feeling pretty good. However, my character had a bit of a wait before she first came on stage. And it wasn’t until around then that the full effect of both of these Monsters finally kicked in. 

I suppose it’s a good thing that Miss honey is an anxious character with an emotional story arc… Because I spent that show visibly vibrating with caffeine jitters, my heart pounding, my brain operating at double time. I was shivering like it was freezing cold. It was the middle of summer, in a building that had very old (read: effectively nonexistent) AC . At a certain point in the show, it hit me that the “stage fright” I was feeling was actually the physical and mental anxiety produced by drinking 300 mg of caffeine in the span of 2-3 hours, and that it wasn’t going away.

At that point, there was nothing to do but to lean into it. I embraced the anxious twitching and elevated heart rate as a character choice. I can’t say it served me well the whole show, but, well, at least I was really in character for those scary scenes with Mrs. Trunchbull.

The moral of the story is: take care of yourself during your tech week/show run, don’t try to fix the problem with caffeine, and definitely don’t try to fix it with double your standard caffeine dosage.

Theatre

Story Time: One of my Favorite High School Theatre Memories

I wanted to try something a little lighter and sillier for a change– I thought it might be fun to start sharing some stories from past performances. I certainly have a wealth of them.

One of my favorites from high school is from my sophomore year. I was playing a character who wore a big, oversized robe, with long sleeves that dragged almost to the floor. The robe was heavy and made of thick, bulky fabric.

Read more: Story Time: One of my Favorite High School Theatre Memories

The Thursday before our Friday opening night at our school was always our “preview night,” a a night with limited attendance, reserved for school faculty, production volunteers, and the actors and staff of our district’s middle school drama department. It was always an exciting night– the promise of getting to show off in front of our favorite teachers and next year’s freshmen was especially thrilling to our teenage sensibilities.

And this preview night was going great! I was feeling confident and in my element. The whole cast was having a blast.

In one scene, an actor came on stage holding a hat she had worn in the first scene. (The hat also had some fake hair extensions hidden in it– the character was supposed to “cut her hair” between scenes.) During the course of the scene, I would pass this actor a silver platter, and she would take both the hat and the platter offstage with her. This would leave my hands free to perform my big solo to close the scene.

On this night, I hand the actor the platter. After doing this, I’m blocked to turn to another actor, who was standing on my other side. I do so, and I feel an odd tugging on my sleeve. I pull my arm away, and I notice the actor I’m now talking to has a funny look on her face. But I am an *actor*, and I am in the zone, and I do not break character! My character admonishes both of the others, and they exit.

Then it’s time for my solo. It’s fabulous! The audience is hanging on my every word! The energy is magnificent. They’re laughing at all the right moments, and when I finish the song, I get wild laughter and applause. I turn to walk off the stage, and there is a cluster of faces visible in the wing, staring at me.

Funny.

I get backstage, and before I can ask what’s going on, the actor who had given me the funny look earlier grabbed my sleeve and lifted it up.

Attached to the bottom, swinging from pins covered in fake hair extensions, is the first actor’s hat, complete with locks of fake hair. When I had passed her the silver platter, the hat had become attached to my sleeve. She’d tried to grab it back, but didn’t want to ruin the flow of the scene (we were in high school, after all, and running on a heady combination of adrenaline, stage fright, and sugar), so she left it. The other actor, too, hadn’t known exactly how to approach the elephant in the room, and so they both left… and left me to sing my entire solo, wildly swinging around the hairy hat attached to my costume.

Well, the audience loved it. And the middle school show’s staff told me they used it as a teaching moment to illustrate the importance of staying in character even when you have a prop or costume mishap. Which… yes, I absolutely knew the hat was there the whole time, and uh… it was absolutely intentional on my part that I didn’t remove it, and it’s definitely a testament to my superior focus as an actor. Yes… for sure, go with that!

Actor Life, Theatre

The Comfort in Saying “I Can’t”

I would love to be a belter. One of those pure Broadway belters who can effortlessly hit high notes all day long with their perfect, clear tone, as if it’s the most normal, natural, easy task ever. It’s something I’ve been really trying to work towards ever since I started performing– and, speaking humbly, I think I’ve made some strides.

I’d also love to be a dancer. But I “can’t dance.” Guess how my dancing skills have developed?

If you guessed, they haven’t at all, you’re probably more or less correct. At least, I don’t think my dancing skills have developed. But I haven’t really been looking for improvement in that area, anyway. That’s the beauty of simply saying “I can’t.”

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Actor Life, Theatre

“Where am I Going, and Where Have I Been?”: What I Learned From Reviewing Six Years of Past Performances

I have compulsively taken audio recordings of every voice lesson I’ve had over the last four years, as well as recordings of most auditions and a handful of rehearsals. I’ve made it a habit and feel the strong need to be recording whenever I’m doing anything with my voice. Funny enough, I rarely end up listening back to these recordings– I’ve probably listened to less than a third of the entire library of recordings I’ve made with the app Voice Record Pro.

For fun I recently listened to some of the first recordings. These were from my freshman year of college, a time in which I was very insecure in my voice, and still very green in my vocal training overall. I was struck by the difference in those audios from the most recent ones! I was excited about the prospect of growth, and ended up mentioning the fact to my therapist. She was very excited with my discovery, and asked that I take it a step further.

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Actor Life, Theatre

“Don’t Take This the Wrong way, but You’ve Really Improved”

These words were spoken to me upon the completion of the singing portion of a recent audition.

“Don’t take this the wrong way, but you’ve really improved a lot since last year.”

The director said this and caught me completely off guard. A few hours later, he apologized, and caught me even more off guard. He explained that he’d meant what he said as a compliment, and hoped it hadn’t sounded rude.

My response was basically, “yeah, of course it’s a compliment, duh.”

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Guides and Tips, Uncategorized

My Favorite Strategy for Learning a Role: Engage Your Senses

 

About a year ago I listened to to an episode of the Kwik Brain podcast all about hacking your brain in order to learn lines more efficiently. I’d recommend anyone looking for some new strategies check out the episode and the second part, too. However, of all of the concepts presented in the two episodes, only one strategy has really stuck with me and become a crucial part of my preparation for a show. I’ve now used this strategy to learn several roles, and am always eager to share with others, because it has been a game changer.

This strategy is to engage all of your senses.

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