Analysis, Theatre

No, Rent is not Outdated

I’m not going to lie: I love Rent. Despite that, I’m going to attempt to approach this article as neutrally as possible.

Loving Rent is apparently no longer theatre-kid-couture. A counter-culture of despising the show has sprung up, possibly in response to Lindsay Ellis’s video essay from 2016. I recently asked in a few theatre circles I frequent what exactly everyone’s damage is when it comes to the show– and I got a lot of responses. Everyone was very excited to explain why they hated Rent.

I could see where many responses were coming from. Yet, the response I simply couldn’t wrap my head around was the idea that the show is simply “too outdated” for modern audiences.

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Analysis

Joyful Celebration in the Face of Death: Jonathan Larson’s Rent

A while back, I saw a Facebook post where some theatre folk were sharing their theater culture’s pre-show traditions. These are always wildly different, but invariably bizarre, fun, and full of energy. The comment that made me stop and think was one about a high school’s pre-show activities for their production of Rent. The poster said they typically did some fun sort of hype-up activity, but didn’t do it for their more serious shows– Rent included– because it wasn’t appropriate.

This took me off-guard. Sure, Rent is a serious show, but it’s never one that I’ve considered so overly serious that any celebration beforehand is bad. In fact, after some thought, I’d wager even the opposite- that Rent is serious, and you must celebrate. The seriousness of Rent isn’t the most important part of it. Rent is about much more than dying of AIDS and battling drug addiction. These are present and powerful entities in the show, but they are never the most important piece. Rent is, at its core, a celebration. Rent’s message is not one of sorrow and regret, but one of celebration in spite of, and even of, death itself.

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